Writers and Catastrophizing

            Catastrophizing is when you start to view anything (an event or situation), as having the worse possible outcome there is, whether now or in the future. In other words, you constantly imagine worst case scenarios possible. Maybe you’re familiar with the term “making mountains out of molehills.”

            The sad truth is anxiety is a natural feeling. And even sadder, people can be prone to being anxious in a near constant (I’m not necessarily saying anxiety disorders). This is obvious, of course, but anxiety is something that, thankfully, has been receiving more attention in the media, and should continue to be addressed as others continue to struggle.

            What I want to get at is the anxiety us writers, such as myself, face, and what ideas to have to be able to conquer catastrophizing.

            I’ll use myself as an example: by around high school was when I realized I wanted to be a writer. Before that, I wanted to be a pediatrician in Las Vegas or a professional wrestler (WWE was my thing back in the day before my new obsession became heavy metal/hard rock musicians). When I wanted to start a writing career, my teenage self was so naïve and extremely meticulous that I felt that I had to be at a certain location for research for an understanding of what I wanted to write. Otherwise I couldn’t bear to do it. Thankfully in this present, I’ve come to be more confident in worldbuilding fictional landscapes. But as of now, it has been two years since I’ve been working on my debut novel. I hoped to have got it done in six months, but for some reason or another, out of impulse, I find other reasons to not finish the novel. So far, I’ve done only six(?) chapters out of–maybe 19 or so planned–chapters, and now I am re-writing them because I don’t think the dialogue and the execution were good enough. I will admit, I am a perfectionist. I feel that not only do I need to feel satisfied with what I write, but I need to feel confident that my readers–my audience—will be entertained by the prose that I write. I hate that I nitpick what I write, but if I feel, if I know, something isn’t correlating with how I feel when I write, then I know something is not right.

            But it’s cumbersome when you spend most of your time nitpicking over the little things that the progress becomes more about worrying about what works, and less about the satisfaction. All it is is just negative thoughts ruminating your mind. You don’t want that. You need the confidence. Yes, you should definitely care about your audience, but you also need to have secure thoughts and feelings about what you write. You can’t be like me; sitting on his exercise ball, staring out the window, listening to music, worrying about the what-if. That is what catastrophizing is like to me. Just worrying about worst-case scenarios that most likely won’t happen. You cannot just sit around all day thinking the “comfort zone” will keep you at ease. Let me give you some of my own advice: there is no comfort zone. The comfort zone is a concept meant to dupe you into unnecessary repetition. Part of me that suffers is that my repetitive tendencies is from Asperger syndrome and what I am guessing, is that I have undiagnosed A.D.D. or ADHD. I constantly listen to music like I’m its serf, and I end up finding reasons to not write. For example, I cannot write if both my parents are home because I have the worry that they will distract me from what I am doing, even if I lock myself in the spare bedroom (doesn’t help that my father does drink).

            But enough of the sorrows, the catastrophizing, the cumbersome ability to weaken yourself into failure, has remedies. There are many ways to combat catastrophism, and boost your confidence, whether it’s for writing or even your own daily life. I know I’m not a psychologist, but I don’t like seeing others suffer for their art like I do. I have been looking and reflecting on ideas that should help any writer—anyone—conquer their anxieties.

            One thing that I, myself, can give for advice is mindful meditation. I am a regular practitioner of meditation, I think the more you meditate, the calmer and more confident you feel. My recommendation is that every morning as you wake, make yourself comfortable when meditating, find a nice relaxing spot, create a mantra, and for maybe 10 or 20 minutes, breathe as you keep your mind on your mantra. I recommend you do this first thing in the morning as you wake, and about half an hour before you go to sleep. For me, meditation keeps me sedate, which gives me the confidence and focus to be able to at least complete something to a satisfactory level.

            Some other solutions I’ll guide you through: my friend Philip Layne, who is a pastor, suggested that rather than rush myself into completing a whole chapter in one day, that it’s best to take small steps (I don’t like to say baby steps because I always feel that doing so instead becomes a crawl, but anyway), for example, even if you write very few paragraphs, it’s still an accomplishment. Always accept small celebrations. Understand that it doesn’t hurt to write at an easy pace. Don’t rush yourself, understand that even if you feel like it’s happening, the only thing that’s out to get you is your own self.

            Organize your small-term goals. Plot out your ideas, structure them, but not too rigorously. It’s always good to be organized but find your sweet spot without falling into your pitfalls that make you feel like you’re of no value. You are necessary, we all have meaning in our life. To function as a writer, the best that I can give to you is to write down what you think will work in a notebook (I do not advise Google Docs, Microsoft Word, and so on, because I think going from one tab or one web page to another causes stress), and peer through the notebook, or whatever you are comfortable writing on, and see what progress we can make than just letting our worries linger.

            Some other ideas I can provide: lately, I’ve been exercising. I have been doing minor weight lifting and running a mile on the treadmill. Exercise is good for the brain. I also could say, rather than self-motivation, it is best to provide self-compassion and limit ourselves to negative influences in order to provide ourselves the best environment, physically and mentally, to provide quality writing for our audience. I also suggest we stop worrying about the future (a dirty habit of mine) and embrace the present reality and see that we cannot control everything. Sure, we can find ways to control our future, but understand that greater powers oversee us everyday, and it’s something we cannot fight. We must accept that the present is where we are now, we can only worry so little about our future. Yes, we do want to have our future be pleasant, but we have to worry about our present to make our future look bright, if you know what I mean. I know a lot of people think journaling your problems work (I am a critic of journaling because I feel that journaling is like talking to walls and it doesn’t really help unless someone else sees it to give you advice), but I don’t want to be completely critical, and if journaling is something that makes you comfortable to unleash your negative thoughts and feelings, feel free. If anything, it gives proper reflection to whatever anxieties and stress you’re dealing with.

            At the end of the day, I hope that what I’ve written hasn’t scared anyone. I just want to be able to help you as a writing student, an intern, and an aspiring writer. I want to give you and myself self-awareness and confidence to motivate ourselves as writers to feel confident. I know we all can push through our barriers and become confident in our writing.

            My final words to you are: “keep going.”

            Cole Murray, creatives intern.

Jobs You Can Get With a Writing and Applied Arts BFA

Not sure whether or not you’re a good candidate for Writing and Applied Arts? This post is for you! This week we’re diving into what a BFA (Bachelor of Fine Arts) consists of and what you can get with that degree.

What is a Writing and Applied Arts BFA?

  • A Bachelor of Fine Arts is an undergraduate degree in the creative arts. Examples of majors include creative writing, art, design, film, graphic design, theater, and more! Specifically Writing and Applied Arts consists of an English degree with an emphasis on writing and content creation.

What kind of classes does a BFA in Writing and Applied Arts Consist of?

  • Unsurprisingly a lot of English classes are required for a writing and applied arts degree. Creative writing, grammar classes, design and culture, world literature, and publishing are just to name a few. If you enjoy any type of literature or English classes, this program could be a great fit for you! Personally, I was happier with my class choices after switching to Writing and Applied Arts so it’s always worth it to talk to an advisor about opportunities with this degree.

What Jobs Can You Get With a Writing and Applied Arts BFA?

  • Copywriter (writes clear, concise copy for ads and marketing materials)
    Freelance writer (writing content for various publications and channels)
  • Web design (plan, create and code internet sites and web pages)
  • Graphic design (creates visual concepts using computer software or by hand)
  • Video game design (create game concepts, including its plots, characters, visual designs, and layout)
  • Journalist (conduct interviews, write stories/ articles used in newspapers, magazines, and online publications)
  • Publisher (prepares and manages the distribution of books and other materials)
  • Marketing team/ social media specialist (coordinate and produce materials (or advertising) representing the business)
  • Paralegal (collect evidence, talk to witnesses, and perform research for attorneys)
  • News Anchor (narrate/ write news stories, broadcast, or other communications)
  • Author/ Company writer (Creating business-related content like print articles, press releases, and newsletters.
  • Podcaster (records episodes on interviews, popular topics, or talk about business content)

This program is not for everyone, and it can be a scary thing to declare a major. Hopefully, this post helped clarify any questions about the major and will help you decide whether or not it’s for you!

Canonball Podcasts

Imagine being a fly on the wall, listening to your professors sitting around a table at a restaurant, relaxing, discussing their mission as writers, instructors, and people, just like you and I, that share a common passion for UWGB.

In Episode 25, Dr. Rebecca Meacham discusses her creative process, how she has been working on her Peshtigo Fire novel for years and it’s “like having a child. My children have grown up since I’ve been working on this.” She also talks about her novel research—how it has been difficult, yet rewarding.

Meacham continues her guest spot in Episode 26, with what inspires her (Mad magazine books, Toni Morrison, and Sarah Silverman’s ban from a major network). Enjoy the sarcasm, irony, and humor, but also appreciate the insights that these guests so willingly share. Recent episodes also include:  Episode 7: (LIVE): Dr. Seuss (w/ Dr. Rebecca Nesvet and Dr. Alise Coen); Episode 21: Canonical Board Games (w/ Dr. Juli Case and Dr. Chris McCallister Williams); and Episode 20: Bet Me and More for the World of Romance-landia (w/Dr. Jessica Van Slooten).

Check out all UWGB Canonball podcast episodes on Soundcloud. 

My First Encounter With Harper Quinn Interpretation

The day I met Harper Quinn Interpretation; she was the customer ahead of me in line at the UPS Store and she had a long laundry list of tasks she was wanting the clerk to do. Many of the tasks were washing various clothes or linens, she explained that she was so glad she saw they’re commercial last night because she had so many things to do today and didn’t know how to get them done. The clerk responded that he was glad she saw the commercial but they don’t do washing and drying, only shipping and packaging so why did she bring her tasks here. Her simple response was, “ well at the end of the commercial someone asked, ’what can brown do for you?’” The clerk apologized for the miscommunication and directed her to the local dry cleaners and laundry service and she turned and began to leave.

This woman was very intriguing to me. I had to get to know her. I could ship my Aunt Judith a book on Greek Antiquities a different day. I followed her out and to the dry cleaner’s wear I luckily had to pick up a suit anyways, so this wasn’t creepy. She was already walking up when I pulled into the lot. That’s when I noticed what a curious outfit she had on.

 

She was dressed quite interestingly. She had on a navy dress with little rain clouds, sunshines, and rainbows printed on it. Over that was an oversized white T-shirt that was covered unexplainably with stains and what looked like coffee rings. And her shoes, they were red heels with golden pears and the word, “Anjou,” written across them in black sharpie.

I walked into the cleaners’ and lucky for me there was a line and she was at the end of it. I got in line and began some small talk with her. I mentioned to her, “what an interesting outfit you have on.” She then explained that this morning on the the news the meteorologist said to dress for the weather so she put on her weather dress. She also explained she had tea later with her friend Cathy and she so glad someone came up with the idea of using a shirt as a tablecloth for when having tea. And she continued, “I think it’s important to always make a statement, that’s why I got these red pear of shoes. They really are hard to find in pears.”

It was then her turn at the counter. She did her business and as she left waved to me. I greeted her farewell, “it was so nice meeting you, Miss Interpretation.” She agreed, “ it was nice meeting you too, Mister Ection.”